Frankenstein Meets the Wolf ManYear: 1943 Director: Roy William Neill Written by: Curt Siodmak Threat: Werewolf Weapon of Choice: Teeth Based upon: Original |
Other movies in this series:
Frankenstein
The Bride of Frankenstein
Son of Frankenstein
The Wolf Man
The Ghost of Frankenstein
House of Frankenstein
House of Dracula
Rish Outfield's reviews
Earlier in my viewing of the Frankenstein series, I condemned the many sequels as simply
beating the monster to death by constant reuse. But watching these films individually, I've
found many redeemable aspects to them.
This story takes place four years after The Wolf Man,
with Larry Talbot interred in the family crypt, next to Sir John, his father, who we are
told died of grief after the last film. A pair of graverobbers open up Larry Talbot's coffin,
and for some reason, he has come back to life.* In between werewolf transformations,
the poor man now roams the countryside, hoping for a release from his curse. When he
hears about Frankenstein he thinks perhaps the Doctor can help him, but unfortunately,
only the Monster still lives.
This is a great sequel to The Wolf Man, more than anything, with the return of
Larry Talbot and Maleva the gypsy woman. It vaguely tries to follow all the previous
Frankenstein films, but does so weakly, with Elsa, granddaughter of Henric (?) as the
only Frankenstein featured. Apparently, this film originally followed the last one (Ghost
of Frankenstein) very closely, with the Monster (now played by Lugosi) speaking
in Lugosi's voice as he did at the end of the last film, but Universal's executives found
it ludicrous and edited out all the speaking. Regardless, Lugosi (who was offered the
Monster role before Karloff, and turned it down) plays the least effective monster--dull,
squatter, dumber-looking, and most important of all, not sad/likable as the others (even
Glenn Strange) managed.
Lon Chaney Junior is great as usual as poor Larry Talbot. Lionell Atwill plays the suspicious
village mayor. Maria Ouspenskaya is both motherly and mysterious as Maleva. And
Dwight Frye appears again! That guy is in all of these things! But sadly, this would be
his last Universal Monster movie, as he died shortly after its release (of heart failure due
to overwork, ironically enough).
I really enjoyed this movie, and the next one (House
of Frankenstein) is even better, a sort of companion piece to this one. It had
more nice model work and more great Jack Pierce makeup. This film features the very
first facial werewolf transformation, something people take for granted in this day of
cheap and unimaginative CGI. The poem from the first film is repeated, but it has been
changed to "when the moon is full and bright"-–which is how I learned it in Arcane Lore
110.
What hurts this one is its dull last half, with an ending that was so anticlimactic it felt
like an editing mistake (look, they know they're just going to bring the monsters back
in another film-–do they have to kill them at the end of every one?). The highpoint of
this film (and this will sound odd coming from me, but hey, a pleasant surprise always
beats a predicted delight) is a cool musical number in the middle-–perhaps so kids could
go to the bathroom and buy popcorn (dear God, I just realized that those kids would be
senior citizens by now). The joyously morbid song thoroughly disturbs Talbot with unbeatable
lyrics like "Come one and all, and sing a song; For life is short, but death is long."
Poor Larry Talbot (that may be his unofficial first name, Poor), like me or you, he just
wants to die. "I can't die," he says sadly, but people just ignore him. Either they don't believe
Talbot at all, or they think he's a madman who believes he's a wolf. By the end, Talbot
has befriended the Monster, a kindred spirit who is, in his way, even more tragic than
he is–-and also unkillable. It seems to me, watching this series of films, that the true
bad guys and most irredeemable characters are the torch-bearing villagers. In film after
film they never think of the consequences of their actions, never give anyone fair treatment
or a chance to explain, and are always prone to violence and mob mentality. In simpler
terms, they suck.
*My theory is, he was only MOSTLY dead, but it took years for him to recuperate.
Posted: May 30th, 2001
Total Skulls: 8
Sequel | ||
Sequel setup | ||
Rips off earlier film | ||
Horror film showing on TV/in theater in movie | ||
Future celebrity appears | ||
Former celebrity appears | ||
Bad title | ||
Bad premise | ||
Bad acting | ||
Bad dialogue | ||
Bad execution | ||
MTV Editing | ||
OTS | ||
Girl unnecessarily gets naked | ||
Wanton sex | ||
Death associated with sex | ||
Unfulfilled promise of nudity | ||
Characters forget about threat | ||
Secluded location | ||
Power is cut | ||
Phone lines are cut | ||
Someone investigates a strange noise | ||
Someone runs up stairs instead of going out front door | ||
Camera is the killer | ||
Victims cower in front of a window/door | ||
Victim locks self in with killer | ||
Victim running from killer inexplicably falls | ||
Toilet stall scene | ||
Shower/bath scene | ||
Car stalls or won't start | ||
Cat jumps out | ||
Fake scare | ||
Laughable scare | ||
Stupid discovery of corpse | ||
Dream sequence | ||
Hallucination/Vision | ||
No one believes only witness | ||
Crazy, drunk, old man knows the truth | ||
Warning goes unheeded | ||
Music detracts from scene | ||
Death in first five minutes | ||
x years before/later | ||
Flashback sequence | ||
Dark and stormy night | ||
Killer doesn't stay dead | ||
Killer wears a mask | ||
Killer is in closet | ||
Killer is in car with victim | ||
Villain is more sympathetic than heroes | ||
Unscary villain/monster | ||
Beheading | ||
Blood fountain | ||
Blood hits camera | ||
Poor death effect | ||
Excessive gore | ||
No one dies at all | ||
Virgin survives | ||
Geek/Nerd survives | ||
Little kid lamely survives | ||
Dog/Pet miraculously survives | ||
Unresolved subplots | ||
"It was all a dream" ending | ||
Unbelievably happy ending | ||
Unbelievably crappy ending | ||
What the hell? |