Arts Technology Program • University
    of Utah
  Policy Statement and Syllabus: 
  FA 4950 • Interdisciplinary Capstone Project in Arts Technology - Spring
2009
Monday & Wednesday 3:05
PM-5:00 PM  
New Media Wing (Old Museum North of Art Department) - West Side Gallery
Instructor: Edward Bateman
Office: Art 269;  Office Hours: See posted hours and by appointment
Office Phone: 581-7982; Personal Cel Phone: 554-0465
E-mail: e.bateman@utah.edu
Introduction:
In this class, you have the chance to make something that
        the world has never seen before. 
This requires you to be motivated, self-disciplined, and able and willing
      to work with others. This class is about ideas and creativity. It focuses
      on learning
      the ideas and thoughts of artists whose practice involves the use of technology
- and then putting that knowledge to use in a collaborative project. 
    
Required Text:
Sound Unbound: Sampling Digital Music and Culture
by Paul D. Miller (Editor)
The MIT Press (May 31, 2008)
ISBN-10: 0262633639 ISBN-13: 978-0262633635
(Available from Amazon at a 34% discount - but also available from other
          sources)
  
  Course Materials/Equipment: For your own convenience (and sanity) it is highly
          recommended that you invest in an external hard drive.
  
  Course Philosophy: The
  capstone experience is defined as follows: 
“ All the skills of research developed in earlier work should be marshaled
            in a
            project that demands the framing of a significant question or set
of questions, the research or creative exploration to find answers, and the communication
          skills to convey the results to audiences both expert and uninitiated
  in the subject
            matter.” 
  The capstone experience allows students to organize and synthesize knowledge
            and skills acquired in a wide array of settings and situations during the
            course of their undergraduate career. Capstone experiences also typically
            include an
            opportunity to present the results of inquiry or creative engagement to a
            larger audience. This audience may vary widely: a classroom symposium, publication
            in
            a student-run journal, participation at a professional conference, or presentation
            as part of a student-initiated course. At the undergraduate level, the most
            important criterion is the opportunity to communicate with a broader rather
            than a specialized,
            professional community.
  The capstone experience needs to allow for collaborative effort whenever
            appropriate to the discipline, so that undergraduate students can be better
            prepared for
            participation in the team projects they will encounter in professional as
            well as private life. Additionally, the capstone course should prepare undergraduates
            for the expectations and standards of graduate work and the professional
            workplace.
            It should also serve as the culmination of the inquiry-based learning of
            earlier course work, broadening, deepening, and integrating the total experience
            of the
            field of study.
  -Reinventing Undergraduate Education	(Boyer Commission, 1998) 
  
  Course Objectives:
 
      the student will:
  1. Acquire a broader knowledge and understanding of the ideas, issues, and
              practices of artists who	use technology in their work.
  2. Gain experience in working as a team on developing and presenting collaborative
              projects
  3.	Create a research question(s) for collaborative creative exploration
  4. Explore that question, and with the results, create a project that is
              conceptually and aesthetically	rich, meaningful, and engaging
  5. Create an artists statement explaining the reasons behind the concepts
              and creative choices	embodied in the project. 
  6.	Present the final project in a public venue
  
  Course Requirements: 
  Consistent attendance. The nature of this course requires the students to
                be present in class and in their group project meetings. Students
      are allowed only three absences without affecting their grade. Each additional absence lowers
                the student’s final grade one level (for example B+ to
                a B). Please contact me immediately if an attendance problem
                or other
                class
                issue
                arises. Most problems
                can be resolved if attended to early rather than waiting until
                the end of the semester.
                
  Completion of all assignments.  Student will integrate the in-class lectures
  and discussions into each completed assignment and turn assignments in on time.  Grades
  will be lowered for incomplete and/or late assignments.  There will be
  several smaller in-class assignments designed to provide experience with different
  skill sets and to help the groups form effective teams. These assignments will
  be ‘turned in’ on the day they are assigned.
                
  Ethics and Behavior. Maintain professional ethics in working
                with the group. Cooperation works to everyone’s advantage
                and is necessary for a successful project.
  
  
  Course Content:
  The first part of the semester will involve an exploration
  of the concepts and ideas used by artists involved with the exploration of
  technology. This information will be used as a guide and foundation for developing
  the class's final research projects. The second half of the semester will be
  largely devoted to working in teams on these final projects.	
  
  This class will involve reading and writing assignments, which will come from
  documents delivered electronically or passed out in class. There will also
  be in-class discussions on this material where each student is expected to
  contribute ideas and opinions. 
  
  Additionally, each student will prepare an in-class presentation on one if
  the chapters in the class text. They will summarize the ideas and concepts
  contained in the text and then propose three projects based on those ideas
  for class discussion. The rest of the class is expected to be familiar enough
  with the presented text to engage the presenter with relevant and challenging
  questions.
  
  Each team will design a final research project. Students will also work to
  promote the class presentation of projects including the design of posters
  and other promotional materials. The proposal for this project (3-5 pages)
  is due on February 23, 2009. More details about this proposal and the final
  project will be discussed in class. 
  
  As part of their project, each team will create a written artist statement
  that will be presented with their project. 
  Each student will write a final paper discussing the semester’s activities
  and philosophy on the uses of technology in the arts.
  
  Grading: 
  Class participation and written assignments: 40%; Final Project: 60%. Grading
  will be based on participation and completion of the group project including
  the sophistication of conceptual issues embodied in the project choice as well
  as the creative and technical components of the project. Student evaluation
  of other team members will be one component of project grade. There will also
  be additional writing projects on this class.
  
  Course Schedule - subject to change
    to meet student needs and class objectives
  
  
  Week 1
  Jan 12 Class Introductions. Media Demo - 77 Million	Paintings. 
  Assigned reading: The Hypertextuality of	Everyday Life - John Barth 
  First Assignment: Student presentations. 
  
  Jan 14 Student presentations; First writing assignment:	What is Art?
  
  Week 2
  Jan 19	Holiday - Martin Luther King Jr. Day
  
  Jan 21	Discuss first writing project. New Readings: Eno
  Critical writing on New Media: TV and Video -	Arthur C. Danto 
  Second Writing project announced. Media	Presentations: Art21
  
  Week 3
  Jan 26 Media Presentation, class discussion based on	assigned texts
  Jan 28 Textbook Presentations and discussion, Media	Presentation, Guest Artist
  
  Week 4
  Feb 2	Textbook Presentations and discussion, Media Presentation, Guest Artist
  Feb 4 Textbook Presentations, Media Presentation,	Guest Artist
  
  Week 5
  Feb 9	Textbook Presentations and discussion, Media Presentation,	Guest Artist 
  Feb 11	Team formation, research issues
  
  Week 6
  Feb 16	Holiday - Presidents Day
  Feb 18	Brainstorming discussion
      and exploration
  
      Week 7
  Feb 23	Project Proposals Due
  Feb 25	Group discussion of Projects and troubleshooting
  
  Week 8
  March 2	Work on Collaborative Projects - ongoing
  March 4	Work on Collaborative Projects - ongoing
  
  Week 9
  March 9	Work on Collaborative Projects - ongoing
  March 11 Work on Collaborative Projects - ongoing
  
  Week 10
  March 16 Spring Break - No class
  March 18 Spring Break - No class
  
  ...PROJECT WORK TIME...
  
  Week 14
  April 13	Work on Collaborative Projects - ongoing
  April 15	Present works in progress to class for input
  
  Week 15
  April 20 Presentation of Works in progress -	troubleshooting & promotional
    issues
  April 22	Public Presentation of Final Projects
  
  Week 16
  April 27	Class critique of projects 
  April 29	Final Paper DUE
   
  
  ADA Statement: The University
  of Utah seeks to provide equal access to its programs, services and activities
  for people with disabilities.
          If you will need
                accommodations in the class, reasonable prior notice needs to
    be given to the, 162 Union Building, 581-5020 (V/TDD). CDS will work with
    you
      and
            the
            instructor
                to make arrangements for accommodations.
                
  STUDENT CODE OF CONDUCT: All students are expected to maintain professional
                behavior in the classroom setting, according to the Student Code, spelled
                out in the Student
Handbook (www.admin.utah.edu/ppmanual/8/8-12-4.html).