BEST (in alphabetical order)
Lost in Space -- The weakest entry on this list, this movie nevertheless is a fine piece of escapist entertainment. With state- of-the-art special effects intermingled with beloved characters, Lost in Space stands up as an example of how all TV-series-to- movie transfers should be made.
The Man in the Iron Mask -- This superb swashbuckling drama proved to be the earliest hit of the year, forcing Leonardo DiCaprio to compete against his Titanic alter-ego at the box office. With exceptional performances, a ravishing score, and directorial panache, The Man in the Iron Mask is a film that will stand the test of time.
The Mask of Zorro -- The second great swashbuckler of the year was no less enticing for its later entrance. Featuring what is easily the most accomplished, best-looking cast of any Zorro flick, The Mask of Zorro set hearts to pounding for both its well- choreographed action sequences and the romantic interplay between its stars.
Mulan -- This animated fable proved to be a feminist triumph, while entertaining audiences of both genders. Sticking a little to closely to the Disney formula, Mulan nonetheless demonstrated and uncanny ability to tap into the imaginations of young and old alike.
Saving Private Ryan -- Graphic, intense and stunning are but three of the adjectives that aptly apply to this cinematic milestone. Director Steven Spielberg has created the most honest, unflinching look at the price of war since his own Schindler’s List became a phenomenon five years ago.
The Truman Show -- Jim Carrey, another in a short line of comedians
who have successfully made the transition to serious acting (see
Robin Williams, Tom Hanks), carries The Truman Show in a way that
no other actor could have. This poignant but restrained film is a
reflection of the media-obsessed people of today.
WORST (in alphabetical order)
Armageddon -- Though successful at the box office, this poor man’s Deep Impact is little more than a bewildering array of action, one-liners, and special effects masquerading as a movie.
The Avengers -- The flip side to Lost in Space, The Avengers proves that no amount of stunts, F/X, or even star power can save a ridiculous plot. Relying on the brand name of a TV series alone won’t make audiences turn out in droves.
Godzilla -- Easily the most disappointing film of the year, this latest incarnation of the Godzilla franchise lacked the campy fun of its rubber-suited predecessors, while presenting caricatures as characters.
Pleasantville -- A film that sometimes feels like the evil side of The Truman Show, Pleasantville is anything but pleasant. This thinly disguised film of sexual liberation was nothing like the sunny, clever film that advertisements made it out to be.
Two Girls and a Guy -- The less said about this film the better. Don’t let this waste of film stock cause you to waste two hours of your life.
What Dreams May Come -- This dull and dreary look at one man’s vision of the afterlife was the second biggest disappointment of the year. Remarkable imagery is merely the backdrop for a slow movie featuring one of the most mundane love stories to mar the silver screen in some time.