I Know What You Did Last SummerYear: 1997 Director: Jim Gillespie Written by: Kevin Williamson Threat: Psychopath Weapon of Choice: Hook Based upon: novel - Lois Duncan |
Other movies in this series:
I Still Know What You Did Last Summer
I'll Always Know What You Did Last Summer
Rish Outfield's reviews
In the years we've been doing this website, I've taken a lot of ribbing over my undying
(some would say Stevie Wonder-esque) devotion to this film. I don't really have any
excuse for my love for I Know What You Did Last Summer, except that I had
something of a crush on Jennifer Love Hewitt at the time, and that it's a really good
movie.
And you thought I was going to apologise.
I Know What You Did... tells the tale of four teenagers who, after a bit of
celebrating a summer ago, run down a pedestrian on the street late at night. Instead of
putting their futures in jeopardy by letting the authorities know, they ditch the body and
make a pact never to speak of it again. When we catch up with our little group a year
later, life isn't going so hot, and it gets unhotter when they start getting messages from
a mysterious someone who Knows What They Did Last Summer.
I first saw IKWYDLS on February 13th, 1998 with a good buddy of mine who's since
gone his separate ways from me. The film had opened months before, and frankly
hadn't appealed to me (probably for the same reasons that people criticise it today),
but was opening in our cheap second-run theatre that night, a college hangout where
I saw more movies in my four years of college than I have before or after. It was a
Friday the 13th, and I figured, what better way to celebrate that lucky day than by
seeing a scary movie? My pal, Rob, agreed, though neither of us had huge expectations
for the film.
Perhaps that's why I loved it as much as I did. But that's not the only reason. In my
1998 review of the film, I wrote "Fantastic! Well-written, well-acted, well-executed.
The best horror film in years." While I've seen literally hundreds of horror flicks in the
six years since, I've gotta say, most of that statement still holds true. Sure, flicks like
Scream and The
Sixth Sense are probably better movies, but this was something I could really
latch onto: a glossy, updated version of the slasher movies of the Eighties I grew up on.
It was honestly scary, it was funny in places, it kept me guessing, jumping, and happy,
all the way through. It may have had a lot to do with my interest in creating this website.
I wrote, Screenwriter Kevin Williamson's follow-up to Scream works in all the
best of ways, and he really outdoes himself here, creating a well-rounded and powerful
story. It was real characters with real emotions that made this film rise above the rest. The
clever references to urban legends don't hurt either.
Jennifer Love Hewitt was wonderful, wholly attractive, and haunted. The rest of the
cast proudly delivered the goods, even in small roles. You look at the actors, fresh
faces from TV or commercials (Sarah Michelle Gellar, Freddy Prinze Jr., Ryan Phillipe,
Bridgette Wilson), many of whom went on to mainstream stardom in much the way
yesteryear's Jamie Lee Curtises, Johnny Depps, and Tom Hankses did. Of course, I
may be overstating things here.
I still feel that the ending is perfect. It left me walking out of the theatre laughing and
excited, like I'd just been on a great roller coaster. That's still one of my all-time favourite
endings, even though the cheap cash-in sequel
ruined all that.
Unfortunately, this film was probably best on the big screen, with a crowd of screaming
young people, and loses something on television, which is how 21st Century audiences
will have to view it.
Best Scare: There's a moment when white trashy Anne Heche bangs on a car window,
scaring the bejeezus out of everyone. I shrieked like a six year old girl seeing a banshee
in her bedroom closet.
I'd Recommend It To: Hell, I even told my mother to go see it. In retrospect, perhaps
I should only recommend it to Slasher fans and Horror enthusiasts.
Posted: September 14, 2004
The tyranist's thoughts
I remember being nothing but impressed when I first saw this one. We were in the midst of
a sort of horror revival. Unfortunately, the only real result of that revival seems to be a glut
of terrible direct-to-dvd horror flicks with pretty covers and not much more.
It had been a while since I had watched this one and it seemed like it might be time to take
it down and give it another look. And luckily, nothing has changed.
Kevin Williamson's writing is just as sharp and Gillespie's direction right on. I still have a thing
for Sarah Michelle Gellar and it has never been difficult to watch Jennifer Love Hewitt. From
top to bottom, this is a slick production that, while it never achieves greatness, is a solid
addition to the genre. It's especially nice to discover this having seen hundreds of horror flicks
since the first time I saw this. The fact that it stands up nicely, only speaks well of it.
It has become popular to dismiss this film and its siblings as so much late '90s tripe that
should be looked back on with disdain. For my money, these movies stand up well and would
be just as good in the theatre today as they were then.
The Fisherman was a frightening villain. So much more human than some and yet still
anonymous. Perhaps the best scene in the movie is the parade when there are suddenly
fishermen everywhere and you realize just how easy it is for the killer to move around
unnoticed.
At any rate, if you have a chance to give this one another look, or a first one for that matter,
do it. You may fall into the camp that likes to dismiss it, but you ought to at least give it a
chance. Perhaps you'll feel as I do, that there was great horror made in the '90s.
Posted: April 8, 2005
Total Skulls: 15
Sequel | ||
Sequel setup | ||
Rips off earlier film | ||
Horror film showing on TV/in theater in movie | ||
Future celebrity appears | ||
Former celebrity appears | ||
Bad title | ||
Bad premise | ||
Bad acting | ||
Bad dialogue | ||
Bad execution | ||
MTV Editing | ||
OTS | ||
Girl unnecessarily gets naked | ||
Wanton sex | ||
Death associated with sex | ||
Unfulfilled promise of nudity | ||
Characters forget about threat | ||
Secluded location | ||
Power is cut | ||
Phone lines are cut | ||
Someone investigates a strange noise | ||
Someone runs up stairs instead of going out front door | ||
Camera is the killer | ||
Victims cower in front of a window/door | ||
Victim locks self in with killer | ||
Victim running from killer inexplicably falls | ||
Toilet stall scene | ||
Shower/bath scene | ||
Car stalls or won't start | ||
Cat jumps out | ||
Fake scare | ||
Laughable scare | ||
Stupid discovery of corpse | ||
Dream sequence | ||
Hallucination/Vision | ||
No one believes only witness | ||
Crazy, drunk, old man knows the truth | ||
Warning goes unheeded | ||
Music detracts from scene | ||
Death in first five minutes | ||
x years before/later | ||
Flashback sequence | ||
Dark and stormy night | ||
Killer doesn't stay dead | ||
Killer wears a mask | ||
Killer is in closet | ||
Killer is in car with victim | ||
Villain is more sympathetic than heroes | ||
Unscary villain/monster | ||
Beheading | ||
Blood fountain | ||
Blood spatters - camera, wall, etc. | ||
Poor death effect | ||
Excessive gore | ||
No one dies at all | ||
Virgin survives | ||
Geek/Nerd survives | ||
Little kid lamely survives | ||
Dog/Pet miraculously survives | ||
Unresolved subplots | ||
"It was all a dream" ending | ||
Unbelievably happy ending | ||
Unbelievably crappy ending | ||
What the hell? |