MadmanYear: 1981 Director: Joe Giannone Written by: Joe Giannone Threat: Psychopath Weapon of Choice: Car hood Based upon: Original |
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Rish Outfield's reviews
First of all, on a general note, when it comes to the slasher era, I think 1981 is the year of choice. Thanks to the runaway
success of Friday the 13th, released by an honest to goodness studio,
everybody and their rich comatose aunt was cashing in on the craze. It makes me wonder how many slashers were made
that year that never got any distribution and are still floating around unseen. On a specific note, Madman is one of those
films that is a joy to watch and give Skulls to, truly one of the reasons this website exists.
It's summer camp time, folks (is it summer, though? Fall? Everyone's wearing coats and I could swear I saw someone with
gloves on. A cold weather camp?), and around the campfire a counselor tells the tale of Madman Marz, the local maniac
who roams the woods butchering anyone who calls his name ("One by one, you'll start to fall; Before night's over, I'll get
you all."). One of the kids calls that bluff (and the maniac), and inadvertently gets his friends and counselors killed (damning
his soul to Hell in the process, I needn't add). The rest of the movie has the killer doing what he does best, just juggling
different weapons as he does it (let's see, death by axe, rope, knife, gun, and car trunk). It's basically the exact same film
as The Burning, featuring the same locale and based on the same legend (this
one apparently changed the killer's name after finding out about the other film), they came out within a couple months of each
other. Though I preferred The Burning (which had the advantage of incredible gore effects and some
someday-celebrities), this was a very fun movie. I'd give tyranist's left nut to be able to see this on the big screen with an
audience (I was shouting at the screen, "Run, you moron! Shut up! Shhhhh! Don't just stand there!"). It has a lot in common
with the other slasher films in the period: It features another killer who seems to be in all places at once, who doesn't go after
the kids, just the counselors (and did you notice that there's five kids at the camp, versus seven or eight counselors?). There's
some bad dialogue ("Dave, are you hurt?" He has no head, kids), lapses of logic (a cool TV spot had the famous Voiceover
guy say, "For God's sake, why don't they run?"–that's pretty funny) and geography (the woods are huge enough to lose a legion
of people in, but small enough people always run into dead ends or the bodies of those just killed), overused cliches (I'd give this
three Car Won't Start Skulls if I could), and characters who act very unlike real people (she just saw the headless body, and now
she calmly works on the car). The obligatory love scenes were more disturbing than titillating--The hot tub love dance was
actually grotesque. As usual, one girl survives the mayhem.
A lot of it is strictly by-the-numbers, but it's still fun (and perhaps some of that is due to its generic, nothing-you've-never-seen-before
feel. Perhaps that's why people went to the Jason movies year after year--there's a sort of welcome familiarity about it all), and
there are some unusual elements in Madman: There's nice framework and effective camera use. Some stylistic blue
lighting. Nice sound too. There's a great set up with the axe in the log that is well paid off. Something of a crude logic at work in
the story. The madman isn't clearly shown until one hour and twenty minutes into the flick--which works well. Although the killer
wields an axe throughout, I have to credit the car's hood with the Weapon of Choice--it was just too great. The hanging sequence
also works really well. It's atypical because the victim tries to save himself. Usually they just die, and because of it, you think the
character will survive the attack. Another hard-to-predict moment was the fate of Richie. The character is an obnoxious butt,
played by a thinner, gayer version of Fred Savage. Richie taunted Madman Marz, and caused the death of every character in the
film, yet somehow, he survives it all. How is that possible? There is a bizarre scene with one guy monologuing about madness--but
it's all normal to these folks. Chalk it up to a bad actor, I guess. Another bizarre scene where I can only guess they are all stoned.
Who knows? The producer, Stephen Horlick, also wrote the music and songs. The synthesizer music works well when it doesn't
sound just like Play that Funky Music White Boy, and a creepy '70s love ballad plays at an inopportune moment, but there is a
GREAT theme song sung at the beginning and end.
In the cast, there's one sad-looking girl counselor. I felt bad for her, because she sort of looked like a fish. There was a lot of
crying and cringing from the sad-faced girl. One of the highpoints of the film was when sad-faced girl hid from the killer, of all
places, in the refrigerator! Ten seconds later, however, she went looking for him. What is she looking for? The killer, obviously.
Sorry, but you deserve to die. Gaylen Ross, the female star of Dawn of the Dead,
appears, credited as Alexis Dubin, which I can only assume she did to avoid troubles with SAG for appearing in a non-union film.
Her best moment is when she accidentally blows her best friend away with a shotgun. Whoops, sorry, sad-faced girl.
I'd Recommend It To: Slasher fans looking for a fun time. It's not a great movie, or even a good movie, but hey, it is a movie.
Note: In every one of these films, dating back to well before Halloween, the killer
is always silent, though this one grunted a lot and spoke one line (sounding very much like Jabba the Hutt). I'd like a killer that
constantly chuckled; it seems like that would be scary (this is coming from someone who's never seen
Dr. Giggles, though), or at least a healthy change.
Total Skulls: 27
Sequel | ||
Sequel setup | ||
Rips off earlier film | Friday the 13th | |
Horror film showing on TV/in theater in movie | ||
Future celebrity appears | ||
Former celebrity appears | ||
Bad title | ||
Bad premise | ||
Bad acting | ||
Bad dialogue | ||
Bad execution | ||
MTV Editing | ||
OTS | ||
Girl unnecessarily gets naked | ||
Wanton sex | ||
Death associated with sex | ||
Unfulfilled promise of nudity | ||
Characters forget about threat | ||
Secluded location | ||
Power is cut | ||
Phone lines are cut | ||
Someone investigates a strange noise | ||
Someone runs up stairs instead of going out front door | ||
Camera is the killer | ||
Victims cower in front of a window/door | ||
Victim locks self in with killer | ||
Victim running from killer inexplicably falls | ||
Toilet stall scene | ||
Shower/bath scene | ||
Car stalls or won't start | ||
Cat jumps out | ||
Fake scare | ||
Laughable scare | ||
Stupid discovery of corpse | ||
Dream sequence | ||
Hallucination/Vision | ||
No one believes only witness | ||
Crazy, drunk, old man knows the truth | ||
Warning goes unheeded | ||
Music detracts from scene | ||
Death in first five minutes | ||
x years before/later | ||
Flashback sequence | ||
Dark and stormy night | ||
Killer doesn't stay dead | ||
Killer wears a mask | ||
Killer is in closet | ||
Killer is in car with victim | ||
Villain is more sympathetic than heroes | ||
Unscary villain/monster | ||
Beheading | ||
Blood fountain | ||
Blood hits camera | ||
Poor death effect | ||
Excessive gore | ||
No one dies at all | ||
Virgin survives | ||
Geek/Nerd survives | ||
Little kid lamely survives | ||
Dog/Pet miraculously survives | ||
Unresolved subplots | ||
"It was all a dream" ending | ||
Unbelievably happy ending | ||
Unbelievably crappy ending | ||
What the hell? |