SignsYear: 2002 Director: M. Night Shyamalan Written by: M. Night Shyamalan Threat: Aliens Weapon of Choice: Poison Gas Based upon: nothing |
Other movies in this series:
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The tyranist's thoughts
In three short years, Mr. Shyamalan has gone from an unknown to someone that
you can count on. I have loved his movies and I believe I'm safe in saying that
a lot of other people have too. Starting with The
Sixth Sense, he introduced us to a new kind of movie. Movies that had the
horror and the action and all the elements that popcorn theatre has always been
made of, but they also had a human element. Mr. Shyamalan makes movies about
people and about their struggles. He doesn't make mindless pap that can be watched
in one sitting, absorbed, and left behind. Instead he makes movies that say something
about who we are.
I went to Signs expecting an alien invasion movie and instead found something
different. Signs is about one man's trial of faith. It just so happens that there's
an alien invasion at the same time. When I say it like that, the plot seems unbelievable
and unnecessarily complex, but it isn't. The film is effective and frightening, and true
Shyamalan in that it delivers its message. They could have very easily gone down
several different, much more mindless paths and instead stayed true to their story.
The alien effects are very, very well done and startling when they arrive. The small
cast allows a lot more characterization than you might otherwise find. The script is
excellent as always. Really the movie is very good.
Obviously you should see this if you liked his other movies, but I think you may want
to check this one out even if you didn't. The tension in the movie is incredible and
so well done that it deserves to be enjoyed. Oh, and I'd rush out to see this one in a
packed theatre if you can.
Rish's Reviews
Tyranist and I have seen the last three M. Night Shyamalan films on opening weekend.
The Sixth Sense we saw together, and were so blown away by the film (in my
opinion, one of the five best films of the 90's), that we couldn't do Skulls for it. His next
film, Unbreakable, we saw in the same theater, but an hour apart (we planned
to meet, but I arrived late). And now, with Signs, we were just too far away to
see it together. But we did do the Skulls together, and that's something.
Mel Gibson stars as a widower and ex-reverend who lives with his two children and brother
out on a Pennsylvania farm. One morning, he wakes up to find an immense pattern in his
cornfield, one of many crop circles appearing all over the world. It's not long before things
on the farm take a turn for the strange, and he finds out the terrifying truth behind the
crop pattern.
I really liked this movie. It's hard to not like an M. Night Shyamalan movie (granted, I
haven't seen the one he did with Rosie O'Donnell, and I may never). People say he's
the next Spielberg. I'm going to go out on a limb and say that he's the best horror film
director working today. His movies are consistently scarier (even Unbreakable)
than anything released by anyone in modern film. It certainly was interesting to tell
the story of a unprecedented global incident on such intimate, personal terms. That's
pretty brave, really. I think Shyamalan likes to tell these personal stories within creepy
circumstances. And he does it well.
Mel Gibson is one of my favourite actors, in many ways because of the inherent
decency he seems to exude. Even in the dinner table scene which was probably
supposed to stir us in anger against him, I was nodding along, agreeing with every
word he said You have to admire a man who won't pray, even in the face of the
end of the world. I admit, I would've buckled in that situation.
The aliens. From the first glimpse we see of them (and brilliantly, it is only glimpses
for the vast majority of the film), they scared the pee out of me. Can I be so bold
as to declare them the most frightening movie aliens ever? I woke up that night with
nightmares so intense, I sat in silence, unsure if I was awake or asleep. Turns out I
was awake, and the skittering, slithery sound I heard was just my sister shedding
her skin. Whew!
Tyranist seemed to feel that the film wasn't so much a Horror or Sci-Fi piece as it was
a film about regained faith and spiritual redemption. I can't really disagree with him,
since he's so much smarter than me, but it was certainly the Horror/Sci-Fi elements
that reached me, that stayed with me, and that drew me in the first place. To me, the
film was a terrifying cross between Independence Day and
Night of the Living
Dead, though different in tone.
If I have anything negative to say about the movie it's that Shyamalan's appearance
was distracting. I would prefer the director limit himself to cameo roles, rather than
prominent ones (it brought me out of the film, whereas Mel Gibson ceased to be "Mel
Gibson" five minutes in, and even Rory Culkin ceased to be "Macauley's other brother"
after about half an hour, the whole time, I kept thinking of M. Night's character as
"the director"). And if I have anything negative to say about Mr. Shyamalan himself
(besides how hard it is to spell his last name), it's that I'm jealous of him. He has more
talent and skill than I could ever hope to have, and worse, he's around the same age as
tyranist's deformed older brother, who I always related to. I'll be first in line for
Shyamalan's next film, even if it's a incestuous drug drama starring Fairuza Balk
and Vin Diesel. Okay, maybe second in line.
I'd Recommend It To: Horror/Sci-Fi fans; make sure you see it in the theatre, if
you can.
Note: I think I'll go back and re-review Sixth Sense to mention how much it
scared me. The last time I saw it, I was so scared I had to sleep with the lights on.
I once met Sam Raimi and told him how The Gift
scared the crap out of me, and he seemed quite flattered by that. I wonder how Mr.
Shyamalan would react to the knowledge that Signs scared me so badly that
I sat in bed at 3:30 in the morning, staring at the dark, twitching and jumping at every
hum or rattle in the room. I wish I could scare someone that much.
Besides the ladies I've asked to become Mrs. Rish Outfield, that is.
Total Skulls: 12
Sequel | ||
Sequel setup | ||
Rips off earlier film | ||
Horror film showing on TV/in theater in movie | ||
Future celebrity appears | ||
Former celebrity appears | ||
Bad title | ||
Bad premise | ||
Bad acting | ||
Bad dialogue | ||
Bad execution | ||
MTV Editing | ||
OTS | ||
Girl unnecessarily gets naked | ||
Wanton sex | ||
Death associated with sex | ||
Unfulfilled promise of nudity | ||
Characters forget about threat | ||
Secluded location | ||
Power is cut | ||
Phone lines are cut | ||
Someone investigates a strange noise | ||
Someone runs up stairs instead of going out front door | ||
Camera is the killer | ||
Victims cower in front of a window/door | ||
Victim locks self in with killer | ||
Victim running from killer inexplicably falls | ||
Toilet stall scene | ||
Shower/bath scene | ||
Car stalls or won't start | ||
Cat jumps out | ||
Fake scare | ||
Laughable scare | ||
Stupid discovery of corpse | ||
Dream sequence | ||
Hallucination/Vision | ||
No one believes only witness | ||
Crazy, drunk, old man knows the truth | ||
Warning goes unheeded | ||
Music detracts from scene | ||
Death in first five minutes | ||
x years before/later | ||
Flashback sequence | ||
Dark and stormy night | ||
Killer doesn't stay dead | ||
Killer wears a mask | ||
Killer is in closet | ||
Killer is in car with victim | ||
Villain is more sympathetic than heroes | ||
Unscary villain/monster | ||
Beheading | ||
Blood fountain | ||
Blood spatters - camera, wall, etc. | ||
Poor death effect | ||
Excessive gore | ||
No one dies at all | ||
Virgin survives | ||
Geek/Nerd survives | ||
Little kid lamely survives | ||
Dog/Pet miraculously survives | ||
Unresolved subplots | ||
"It was all a dream" ending | ||
Unbelievably happy ending | ||
Unbelievably crappy ending | ||
What the hell? |